Siyu Ge
1
I am a senior @UofM studying Architecture and Cognitive Science.
I design graphics, brands, and buildings, and I like making things that are a little bit silly and a lot of fun.
These days I'm at , wearing whatever hat the day calls for. Before that, I worked at and . On Campus, I was the co-director of . Outside of studios, you'll find me painting, designing jewelry, or making a creative mess wherever I can.
Say hi at siyuge@umich.edu. I'd love to hear what you're making.
Brand Identity, Logo, Visual Direction, 2026
Brand identity and visual direction for MyMetabolism, a metabolic health platform. I built a calm, grounded system, including icon, palette, typography, imagery, and UI direction, to make dense health data feel approachable and trustworthy rather than clinical.
Brand Identity, Social Media, Print Assets, Merchandise, 2024-2025
As the co-director of Shift Creator Space, I built a brand system that rejects the traditional "club" feel in favor of a creative family where learning happens through shared creation. The brand is rooted in the belief that passion means nothing without the courage to ship. Using a high-energy palette and deliberate type hierarchy, I designed a system that celebrates the grit of our "Fuck It, Ship It" build nights and the authenticity of our community.
Check out the here.
.webp)
Print Assets and Merch, 2025
Adobe’s community program hosted a creative meetup at the University of Michigan to bring together designers and makers. I designed event assets including name tags, wristbands, and custom merch bags to create a cohesive and playful brand experience.
Brand Identity, Mascot, 2025
Meet Sesame, the grumpy black cat mascot I designed for a local coffee shop, Better Café, based on the owner’s real pet. Recently launched the new "performative male" edition.
Blender, 2025
Currently teaching myself Blender one render at a time through stylistic animations + product demos.
Architecture, 2025
This coworking space design transforms the traditional workplace into a living forest sanctuary. Standing columns mimic tree trunks while planted vegetation brings nature indoors. Glass panels as walls flood the interior with natural light, creating a space that breathes and evolves throughout the day.
Inspired by Ishigami's celebrated Kanagawa Institute of Technology Workshop, the layout creates organic pathways between workstations while maintaining visual connection throughout the space. This arrangement fosters both collaboration and focus.
I designed this environment as a direct response to countless hours spent in poorly-lit, uninspiring libraries. This is a space that nurtures creativity through biophilic design principles and thoughtful spatial organization.
Architecture, 2025
This detailed 3D recreation captures the previous Shift Creator Space clubhouse that stood before making way for urban development. Working entirely from memory, I've reconstructed the vibrant communal areas where creativity flourished for over 5 years.
Every detail, from the characteristic red chairs to the skateboard in the stairwell, represents authentic moments from the hundreds of hours I spent nurturing this creative community as a co-director.
I completed this memorial project over the course of a weekend, translating intangible memories into a tangible 3D model that honors the space where hundreds of student creators found their voice. It is both a personal tribute and a historical document, preserving the spatial identity of a place that shaped the creative journey of countless students in their college life.
Digital Art, 2022-2026
Art has always been my most authentic form of documentation. This collection is a living archive of the people who have shaped my journey. Through deliberate color choices and thoughtful lighting, I've sought to capture not just physical likenesses, but the essence of each individual's spirit and emotional landscape.Each face tells a story that intertwines with my own.
Architecture, 2024
This project explores the analytical power of architectural drawing techniques applied to personal space. Working methodically over three weeks, I documented every architectural element and personal artifact, creating a series that bridges technical drafting with intimate spatial storytelling. I used different projection techniques to uncover distinct spatial truths about the same environment. This exercise sharpened my technical skills while developing a deeper appreciation for how drawing conventions shape our understanding of space.
Jewelry Design, 2023-2024
A small collection of handmade jewelry pieces that merges craft and design. From structured geometric pieces to organic crocheted silver wire forms, each explores how material and process shape expression.
Mixed Media, 2022-2025
A collection of personal projects and experiments from self-portraits and sketches to stained glass and ceramics. These pieces are where I have fun, make a mess, and remind myself why I love creating in the first place.
